Programs

What we actually run

Five active programs, all built around the same idea: give people the tools, the training and the audience, then get out of the way.

Program 01

The Listen & Be Heard Network

Our flagship production program. The network produces weekly non-commercial programs for readers, writers and musicians — among them The Listen & Be Heard Hour for Readers & Writers and Beyond Borders — each combining long-form interviews, featured spoken word, and original music scored for the show.

Episodes stream on our own platforms and are made available to the community radio world, where they are currently carried by more than a dozen independent affiliate stations.

There is no advertising in the programs, contributors retain the rights to their work, and every episode is free to listen to.

Listen to recent episodes

Program 02

Youth Media Internship

A paid summer apprenticeship for a small cohort of graduating high school seniors heading to college. Interns are placed on live productions and trained across the full chain of audio work.

  • Independent journalism — research, pitching, interviewing, and fact-checking
  • Podcast production — field and studio recording, editing, structure, and mixing
  • Creative writing — scripting, narration, and editorial voice
  • Video editing — short-form documentary and promotional cutdowns
  • Sound design and scoring — music beds, transitions, and immersive treatment

Interns are paid a stipend, given access to professional equipment and software, and mentored one-to-one by working journalists, engineers and composers.

Underwrite an intern

Program 03

Immersive performance & recording

We commission new music and multimedia work, then record and present it at a standard the work deserves. That includes full scores and written parts for ensembles, professional live-concert capture, studio recording, and immersive and spatial audio mixes intended for installation and multi-channel playback.

What a commission includes

  • Composition and arrangement, with full score and parts
  • Rehearsal and performance fees for players
  • Multitrack live or studio recording, mixing and mastering
  • An immersive or spatial mix where the work calls for one
  • Archival deposit so the recording survives the run

Program 04

Community radio & arts equity in Harlem

Now based in Harlem, we are working to expand local community radio capacity and to connect it with the neighborhood's existing creative life — open mics, church and school music programs, block associations and jazz rooms.

Current activity

  • Producing Harlem-originated segments for network programs
  • Recording local poets, ensembles and oral histories on location
  • Training residents on recording and editing workflows
  • Partnering with venues and cultural organizations on shared programming

Program 05

Intergenerational ensembles & open submissions

Our ensemble program puts elder musicians and young players in the same room to work on shared repertoire — jazz and Afro-Latin traditions, Gnawa and Yoruba rhythmic systems, and contemporary composition.

Alongside it we keep submissions open all year. Poems, short stories, columns, reviews, audio pieces and full show proposals are read on a rolling basis, free of charge, from anywhere in the world.